|| We need more of this, now. This was one of many early season laps before the resort opened for the season. I was chomping at the bit this particular day, so Re, Erme, and Anna met me after I had taken a few laps. This particular moment speaks to me because you can see one pole clearly, one ski clearly, and the other ski and pole are in motion. Lots of people have said that these shots will cease to become interesting because of the latest round of high-resolution helmet cameras. Go shoot something like this on a GoPro, I’m sure you can get…close….
Shot at Brighton Ski Resort with a Canon 5dMkii on a chest harness. ||
|| Morning to night, a Saturday in Salt Lake City. ||
|| Skiing powder in the Bear Trap aspens in Big Cottonwood Canyon on a cold, cold powder day in January. ||
|| Ironic as it is to pay homage digitally, I’m a huge fan of this cover. ||
|| Emma Bowl in Silver Fork on top and Alta, Utah from Grizzly Gulch on the bottom. Sunday was a day of ski touring with Re Wikstrom, Erme Catino, Anna Catino, and Joe Morabito. ||
|| Snow is always changing. Snowflakes fall from the sky pointy and perfect, and once on Earth they take on a more practical shape. Temperature, wind, and weight all work to melt, move, form and deform the snowpack. Individual flakes turn into multi-faceted grains; a little round over here and a little square over there. Over time, these grains lock together to form the surface that bears our weight when we take a walk or ski down the mountain. Here’s a small piece of the larger puzzle, an individual grain from the Utah snowpack.
This grain was photographed against a 3mm snow classification grid on a BCA snow card. I used a 100mm 2.8 macro lens, a Canon 580ex in slave mode, and a Canon 7D. ||